Latest D3 Work

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When it comes to create data-driven interactive infographics, charts and maps for the web our tool of choice is D3. This JavaScript library can connect data to graphic elements in the page and create data-driven, dynamic transformations for them. The possibilities are enormous. D3 was created by Mike Bostock, a computer scientist at Stanford University. Until 2015 he was also working at The New York Times creating some of the best interactive graphics out there. According to Martin Velasco, our Director of Web Development, “D3 is possibly the most powerful and flexible tool out there for creating sleek and precise data visualizations for the web. We really enjoy working with it”.

During the last few months we had the opportunity to experience once again the power of D3 while developing several  graphics for Urban Institute, a think tank in Washington D.C. that do research on economics and social policy. One of the more interesting is this data-intensive electoral map that connects the recent election of Donald Trump to several social indicators of financial insecurity. It is truly remarkable how D3 allows you to work with massive amounts of data (about 50,000 in this case) and transform them into beautiful rich, smooth-moving graphics. We are looking forward to more D3 work.

The 800-year-old Cutaway Graphics of Ismail Al-Jazari

Al-Jazari2.jpgAl-Jazari’s automaton musical band

In the introduction to LOOK INSIDE we mention the mechanical engineer, artist, inventor, mathematician, artisan and scholar Ismail Al-Jazari (1136-1206) as the first person in history to make extensive use of cutaways with the clear intention of revealing how something works. In the book we mentioned him briefly, and did not have the chance to show any of his illustrations. We will do so here.

Badīʿ az-Zaman Abū l-ʿIzz Ismāʿīl ibn ar-Razāz al-Jazarī (Ismail Al-Jazari for short) lived in what is today Turkey. Very little is known about his life beyond the fact that he belonged to a family of artisans and engineers, and that he served as the chief engineer for the local ruler, just as his father did before him. His fame rests mostly in a book he wrote and illustrated in 1206 titled “Book of Knowledge of Ingenious Mechanical Devices”. In this book Al-Jazari describes many machines, often of his own invention, with instructions on how to built them. More than an engineer in the modern sense he was a mechanical artisan that assembled his machines by trial and error, rather than by mathematical calculation.

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Hydropowered perpetual flute

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Mechanical peacock fountain

The machines described in his books include several automata, such as drink-serving waitress, a hand-washing servant, and a musical robot band, and many types of clocks and several pumps and water-rising mechanisms. In his book Al-Jazari cites the previous authors that have inspired several of his machines, and how he improved them. Many of the machines though are original inventions than employ novel techniques and mechanisms.

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Candle clock

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Hydraulic mechanism

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Water-serving automaton

Most importantly for us, wonderful cutaway drawings in color illustrate the functioning for most of the machines. The precise and beautiful diagrams look remarkably modern, and are drawn in a clean lineal style, and include labels indicating the name for each part of the mechanism.

There are many good articles online about Ismail Al-Jazari. This one include extensive references and is a great place to start if you want to lean more about this medieval genius.


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Our new book about cutaways, LOOK INSIDE: Cutaway Illustrations and Visual Storytelling is a showcase of the best, most beautiful and fascinating cutaway illustrations ever created, from historical times to now. Cutaways, exploded views, and cross sections, are explored across a wide range of applications and disciplines. Architectural renderings, anatomical illustrations, machine diagrams, and even fantasy illustrations are just a few of the various subjects presents in this compilation.

LOOK INSIDE is published by Gestalten and will be released in the U.S. in November 21st. It can be preorder in Amazon, or, if you are in Europe, can be ordered at the Gestalten online store.

G.H. Davis: a Master of the Cutaway

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In our new book LOOK INSIDE, dedicated to cutaway infographics, there are only two examples (due to space constrains) of the work of one of the most prolific cutaway artists of all time, and perhaps the first to concentrate most of his efforts in this particular kind of explanation graphics: George Horace Davis. Regrettably, he is almost completely forgotten today, and we feel he deserves to be better known.

G.H. Davis was born in London in 1881. He received a formal art education and was already working as a freelance artist before World War I. He served on the Royal Air Force putting his talent to good use creating aerial diagrams for pilot training. After the war he continued his career as a freelance artist specialized on military subjects, and in 1923 he started his 40-year collaboration with the Illustrated London News. By his own estimate he created more than 2,500 pages of illustrations over a 40-year span, many of them consisting of very detailed technical cutaways of military planes, ships, submarines, and tanks.

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A British mine-laying submarine: detailed drawings of a boat of the Rorqual Class, in use during the Second World War. It carried out a specialised and dangerous task in enemy waters. Date: 1944

A British mine-laying submarine: detailed drawings of a boat of the Rorqual Class, in use during the Second World War. It carried out a specialised and dangerous task in enemy waters. Date: 1944

Most of his illustrations for ILN are black and white paintings, occupying  a full-page or a spread, and sometimes a four-page gatefold. During World War II he created hundreds of paintings revealing the inner workings of about every single plane, ship and tank used by both sides during the conflict.

Besides his work in ILN he collaborated with other British magazines such as Flight and Modern Wonders. In the U.S. Popular Mechanics published his work regularly. He died at age 82 in 1963, and many of his original pieces are preserved in the Imperial War Museum, in London.

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A British mine-laying submarine: detailed drawings of a boat of the Rorqual Class, in use during the Second World War. It carried out a specialised and dangerous task in enemy waters. Date: 1944

A British mine-laying submarine: detailed drawings of a boat of the Rorqual Class, in use during the Second World War. It carried out a specialised and dangerous task in enemy waters. Date: 1944

There is not a lot of information about Davis online. There are good articles about him  here and here. For those interested, It is still possible to find original copies of his illustrations for ILN in Ebay.

LOOK INSIDE will be released this month in the U.S. In Europe it can be ordered already on Gestalten, and in the U.S. can be preordered in Amazon.

The Cutaway Illustrations of Fred Freeman

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During the two-year research
for our book LOOK INSIDE we discovered many amazing illustrations and artists that, for one reason or another, did not make it into the final version of the book. It would be a pity to leave these forgotten on a drawer, so during the next few weeks we will present here some of these masters of the cutaway.

A while ago we wrote here about Frank Soltesz, an American illustrator active from the 30’s to the 60’s, and author of a marvelous series of architectural cutaways appeared in the Saturday Evening Post. Today we want to pay homage to another artist of the same epoch: Fred Freeman.

Fred Freeman started his career in the 30’s. By this time cutaway illustrations were becoming a tool that popular magazine would often use to covey to their readers detailed information about technical topics. Commercial illustrator were often asked to produce cross-sections and cutaways for various publications, sometimes with striking results.

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Fred Freeman was an accomplished American illustrator who designed and illustrated books on naval history, space exploration and other technical subjects. What impressed us most during our research was the wonderful series of cutaway illustrations he created for Collier’s magazine between 1952 and 1954, all of them for the series “Man Will Conquer Space Soon”. The spectacular, full color, spread or full-page illustrations depict in stunning detail cutaways of space stations, spacecraft, space emergency devices, and other aspects of the future of space exploration. The images illustrate the ideas of the then director of the Marshall Space Flight Center, at NASA, Wernher von Braun, a space travel visionary who was already insisting by then on a manned mission to Mars.

It is surprising and disappointing how little information is out there about such a wonderful artist as Fred Freeman. Please let us know if you have any more information about him and we will publish it as an update here.

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Our book LOOK INSIDE in Wired.com

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Margaret Rhodes has written a great review of our book LOOK INSIDE at Wired.com, and we can’t be more pleased with it. The article, titled LOOK INSIDE: A SPECTACULAR COLLECTION OF CUTAWAY INFOGRAPHICS, includes a nice gallery of images from the book.

Margaret called us a few days ago and we talked a few minutes about the book:

“From the beginning the idea was to make not only a collection of scientific infographics, but show the whole range of how different artists are using these types of illustrations,” says designer Juan Velasco, who curated the book with his brother, Samuel. (The two also co-founded information design studio 5W Infographics.) Together, the pair began collecting visualizations for the book two years ago, after realizing no such compilation existed.

The result is an exquisite assortment of cross sectional, transparent, and exploded-view cutaways that crisscrosses both history and subject matter. The book traces the earliest evidence of the genre to the Arnhem Land region in northern Australia. There, 28,000 years ago, Aboriginal inhabitants painted diagrams of humans and animals on cave walls, deconstructing their subjects into bones, organs, and muscles. “They are most certainly the first cutaway illustrations ever created,” the Velascos write.

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LOOK INSIDE  is ready to ship in Europe in the Gestalten’s website. It will be available in the U.S. in November 21 and can be preordered already in Amazon.com.

Thanks Margaret!

Our new book: “LOOK INSIDE” coming out this month

 

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Two years ago, we had the idea of putting together a book about cutaway illustrations, one of our favorite kind of infographics. It would be a showcase of the best, most beautiful and fascinating cutaway illustrations ever created, from historical times to now. It would include not only cutaways, but also cross sections, and exploded views. We pitched the idea to Gestalten, a leading international publisher of graphic books in Germany. We had contributed with a few infographics to some of their books before, and we thought they may be interested. They loved the idea!. We have been working together with Gestalten for the last two years putting together this book. Its title is “LOOK INSIDE: Cutaway Illustrations and Visual Storytelling“, and we are proud to announce it will be released this month in Europe, and in November in the U.S. It is, we believe, the first of its kind, showcasing exclusively cutaways, cross sections and exploded views.

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Lookinside1.pngFender Jaguar, exploded view, by Vladimir Andreev

 

Lookinside2.pngBionic Woman, by Bryan Christie

 

Lookinside3.pngFeline Anatomy, by Raymond Biesinger

All images from Look Inside, Copyright Gestalten 2016

 

Gestalten did a fantastic design job and the book itself looks great. It is a large (9.6 x 13 inches) hardcover volume, 256 pages long, choke-full of gorgeous illustrations, and includes several spectacular gatefolds. As for the contents, the book celebrate cutaways in all their variety and richness, from the renaissance engravings of the mystic-scientist Athanasius Kircher, to today’s 3D, X-Ray-like anatomical views of Bryan Christie. Cutaways, exploded views, and cross sections, are explored across a wide range of applications and disciplines. Architectural renderings, anatomical illustrations, machine diagrams, and even fantasy illustrations are just a few of the various subjects presentes in this compilation.

We are so excited about this! We hope you have as much fun with this book as we had making it. The book will be ready for preorder in a few days in Gestalten’s website.

The fantasy maps of Martin Vargic

Literature 2.pngMartin Vargic is an 18-year-old graphic artist from Slovakia that has created some of the most interesting, intricate and beautiful fantasy maps we have seen lately. Martin focuses on cultural and popular issues and represents them as very complex maps, using all the graphical and typographical resources of traditional cartography. The results are as beautiful as they are entertaining. Take for example his Map of Literature. In his website Martin says:

“The Map of Literature is a graphical visualization of how the world’s literature evolved from the ancient era to the present day. Different periods and genres of literature are represented by distinct entities (‘countries’) on the map, that unfold from the centre and show the gradual evolution of the various genres. The map is divided into four distinct continents that symbolize the different literary forms: drama, poetry, prose fiction, and prose nonfiction”.

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The amount of data crammed into this map is staggering, and the necessary research very extensive, and yet it took Martin only three weeks to finish it (“however I often worked more than 15 hours a day on it.”).

Equally fascinating are his Map of Stereotypes, his Map of the Internet, and many others. Martin’s website, Halcyon Maps, has a great gallery with all his maps. You can even buy prints there.

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Martin has published a book with his maps called Vargic’s Miscellany of Curious Maps: Mapping out the Modern World, and he is working on a new book of infographics about astronomy and space exploration.

Randall Munroe’s infographics

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Randall Munroe left his job as a NASA roboticist in 2006, proceed to create xkcd.com, and became famous drawing funny and very smart stick figure web comics. He even won the Hugo award for Best Graphic Story in 2014. Very often his comics reveal his scientific background and frequently take the form of witty infographics. These can use humor to take on very serious subjects. Just a few days ago he posted a very interesting infographic on climate change. It is a huge timeline charting Earth’s average temperature for the last 20,000 years. You can scroll for a good while seeing the temperature slowly rising for millennia, and then rocketing up in the last few years.

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Last year Munroe published a wonderful book of infographics called Thing Explainer. It is not your typical “how it works” book. First, all the graphics are done in Munroe’s charming hand-drawn style. Second, he uses only the 1,000 more frequent words in the English language. This is a brilliant idea: the results are often hilarious, and sometimes curiously revealing. A look at the table of contest gives you the tone of the book: “Tiny bags of water you’re made of” (cells); “Sky boat with turning wings” (helicopter); “Lifting room” (elevator); “Bending computer” (laptop); “The pieces everything is made of” (periodic table). Brilliant!

The Ultimate Book on Bread

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A few years ago we had the honor to participate in the making of the most beautiful cook book ever made. It was called Modernist Cuisine: The Art and Science of Cooking, by Nathan Myhrvold, Chris Young and Maxime Biletand. It consist of 2,430 pages divided into five massive volumes that weigh a total of 43 pounds (including 4 pounds of ink). It includes thousands of gorgeous photographs, and 36 of them are annotated cutaways. The authors actually cut through pans, barbecues, ovens and pressure cookers (just to name a few) and photograph them beautifully. We helped make the photographs into annotated infographics.

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Now Nathan Myhrvold is doing it again. A new book, titled Modernist Bread: The Art and Science will hit the bookstores in March 2017, and will include some of our graphics. Four years in the making, the company’s website cites some impressive stats:

“The culinary team has developed more than 1,200 recipes from around the world that are both traditional and avant-garde. At over a million words so far, Modernist Bread will total over 2,000 pages and feature more than 3,000 new photos”.

It will be, we think, the definitive book about bread.

Superbad Infographics

It is a nice late-summer morning. You wake up, make yourself a nice cup of coffee, sit down at your computer (or lay down with your iPad), and navigate to your usual news outlets to see what’s new with the world today. Then you see it, just there, staring right back at you, the cup of coffee stopped in mid-air in its trajectory to your lips: an infographic so massively bad, so wrong, so ignorant of the most elementary principles of information design, it defies your sense or reality.

It is amazing how in some organizations and newsrooms the idea is still alive that anyone that can more or less use a drawing program on a computer can do an infographic, despite a complete lack of training and experience in the field. The results, often ignoring even the most fundamental principles, are sometimes unintendedly funny.

In our workshops we show a few superbad graphics in order to illustrate some basic principles (the lack of). We thought it would be interesting to show here some of them, perhaps as a public service, in the hope we will be able in the future of having our morning coffee in peace, free of disturbing infographical surprises.

Enjoy!

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These are just a few random examples. There are so many bad infographics out there a simple Google search produce thousands of them. Here and here are other compilations of horrible infographics you may enjoy.